So this official poster has been released for How To Train Your Dragon 3 and it has left me with… opinions.
My first initial reaction was excitement! Oh hell yeah HTTYD 3 is coming out! I adored the first two! But then i saw…
SIIIIIGGGGGGGHHHHHHH I knew immediately that this was most likely a female night fury and fuck yeah shit fuck it is which is so disappointing. I could write a huge essay on how female characters are portrayed in media. I could write a massive blog about smurfette syndrome and how female characters are always just a pink, soft version of their male counterparts, or how female animal or anthro characters still have to fall into society’s beauty standards so we do crazy things like give ducks tits or large eyelashes.
I COULD talk about why these things occur, and how this is a worrying reflection of how society views human females, that males are the default and females are the other… but I’m not going to do that TODAY.
Hi my name is India and not only do I have an animation degree, but I also have a degree in animal and veterinary science.
This design doesn’t just insult me as an animator. This design insults me as a scientist.
alright so i know that anonymous-asexual (luna) is kind of a big meme right now toothpaste hair haha and all but i’ve seen several people kinda address this and i just wanna go more into detail about why they’re a hazardous person who is playing into a lot of themes typical in the kink community, particularly in relation to pedophilia. they have a lot of issues with perpetuating homophobia and transphobia as well, but i’m not going to address any of that here. this might be kinda long and pretty triggering so i’m putting it under a readmore. i will put in-text warnings for the link sources but none of them will be censored, and although everything i link to is only going to be explicit in an imagined context or in words rather than in any images posted, i still urge you to tread carefully. i’m going to mention things like pedophilia, cp/grooming, kinks/fetishes, and particularly vore so please be careful when reading.
yo here’s a useful tip from your fellow art ho cynellis… use google sketchup to create a model of the room/building/town you’re trying to draw… then take a screenshot & use it as a reference! It’s simple & fun!
Sketchup is incredibly helpful. I can’t recommend it enough.
There’s a 3D model warehouse where you can download all kinds of stuff so you don’t have to build everything from scratch.
reblog to save a life
This is an incomplete tutorial, and it drives me crazy every
time I see it come around.
We live in a pretty great digital age and we have access to
a ton of amazing tools that artists in past generations couldn’t even dream of,
but a lot of people look at a cool trick and only learn half of the process of
using it.
Here’s the missing part of this tutorial:
How do you populate your backgrounds?
Well, here’s the answer:
If the focus is the environment, you must show a person in relation to
that environment.
The examples above are great because they show how to use the
software itself, but each one just kind of “plops” the character in front of
their finished product with no regard of the person’s relation to their
environment.
How do you fix this?
Well, here’s the simplest solution:
This is a popular trick used by professional storyboard and
comic artists alike when they’re quickly planning compositions. It’s simple and
it requires you to do some planning before you sit down to crank out that
polished, final version of your work, but it will be the difference between a background
and an environment.
Even if your draftsmanship isn’t that great (like mine),
people can be more immersed in the story you tell if you just make it feel like
there is a world that exists completely separate from the one in which they
currently reside – not just making a backdrop the characters stand in front of.
Your creations live in a unique world, and it is as much a character as
any other member of the cast. Make it as believable as they are.
Great comments and tutorials!
I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!
Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!
Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)
The armature can also be posed incredibly easily. I know programs exist for stuff like this – Manga Studio, Design Doll – but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.
By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!
Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.
We can even quickly and easily expand this scene to include more characters!
Proper 3d modeling software is immensely powerful, and if you wanted to, you could model a complex environment that occurs regularly in your comic or illustration work (say, a castle interior, or an outdoor forest environment) and populate the scene with as many perspective-grounded characters as you need!
So there’s been a lot of discussion floating around regarding billionaires and society, and I’ve noticed that most people have no idea what a billion dollars is for practical purposes – people tend to think of it as a vague, nebulous concept of “a lot of money” rather than something concrete you can wrap your head around. This is understandable, considering 1) a billion of anything is really hard to visualize and 2) the average person has no real reference point for an amount of money that large. So I’m going to try to break it down for everyone:
Okay, so imagine you have a billion dollars. What can you actually buy with that?
This is a mega mansion that will have an Imax cinema, a bowling alley, and a spa when it’s fully complete. It costs around 4.6 million dollars.
Now let’s buy one of these in every country in Europe – that’s 50 mansions you now own. So how are you going to travel between all your many homes?
This is a Bugatti Veyron Super Sport, the fastest street-legal car in the world. It has a maximum speed of a face-melting 254 mph and can go from 0 to 60 mph in 2.5 seconds. It costs around 2.5 million dollars.
Let’s buy a dozen of them – you know, in case you total a few of them racing around the highway. But maybe a sports car is still to slow for you:
This is an Embraer Lineage 1000. It’s private jet that can seat up to 19 passengers, and we’re going to buy it for 53 million dollars.
How about a boat? The Tatoosh is a 303 ft private yacht, meaning it’s longer than a football field. We’ll take it for 369 million dollars.
Now that we’ve gone on our ludicrous and absurdly wasteful shopping spree, how much money do we have leftover? About 12 million dollars, which is almost an order of magnitude more than the average American with a bachelors degree or higher earns in a lifetime ($1.8 million). So if you for whatever reason decided to buy the 50 houses, 12 sports cars, plane, yacht, art pieces etc. and immediately set them all on fire, you would still have enough cash leftover so you never would have to work again if you so chose. This is what it means to be a billionaire.
But we’re not done yet.
The richest person in the world is Bill Gates, with a net worth of 86 billion dollars. If he liquidated his assets, what could he buy?
Well, for starters, the Burj Khalifa – the tallest man-made structure in the world at 2,722 feet tall, costing around 1.5 billion dollars.
The Large Hadron Collider, the world’s biggest and most advanced particle accelerator for 9 billion dollars.
The Hubble Space Telescope for 10 billion dollars (including 20 years of operating costs).
The Three Gorges Dam, the largest power station in the world, more than a mile wide.
And to top it all off, a fleet of five Nimitz-class aircraft carriers, the largest military vessels ever built for around 8.9 billion dollars each. If you look at the picture very closely you can see the people standing on it for reference.
If Bill Gates bought all of this, he would still have around 2.3 billion dollars leftover. That’s enough to go on the billionaire shopping spree I described above twice over (so 100 mansions, 24 sports cars etc.) and still have hundreds of millions of dollars in the bank when it’s all said and done.
But we’re not done yet.
Currently, it’s estimated that there are 2,043 billionaires alive today, with a combined net worth of around 7.67 trillion dollars.
This is Russia, the largest country in the world, extending more than six and a half million square miles, with a population of more than 144 million people. The United Kingdom could fit inside Russia 70 times.
In 2016 Russia’s gross domestic product was about 1.28 trillion dollars. This means that if the two thousand and some odd richest people in the world – less than half of 0.1% of 0.1% of the Earth’s population – liquidated and pooled their assets together, they could buy every single product and service made in Russia for almost 6 years.
So yeah, make of that what you will.
Let this sink in next time someone tells you capitalism allocates wealth according to contribution. It’s empty ideology meant to shield billionaires from a revolutionary redistribution of wealth and power.
everything about this… this statue, the choppy waves, the cliffs behind her, the echo, the drumming….. aesthetic
Lyrics in Faroese:
Trøllabundin eri eg eri eg Galdramaður festi meg festi meg Trøllabundin djúpt í míni sál í míni sál Í hjartanum logar brennandi bál brennandi bál
Trøllabundin eri eg eri eg Galdramaður festi meg festi meg Trøllabundin inn í hjartarót í hjartarót Eyga mítt festist har ið galdramaður stóð
English translation:
Spellbound am I, am I The wizard has enchanted me, enchanted me Spellbound deep in my soul, in my soul In my heart burns a smouldering fire, smouldering fire
Spellbound am I, am I The wizard has enchanted me, enchanted me Spellbound in my heart’s root, my heart’s root
Did anyone else just get the shivers? Cuz I’m definitely getting the shivers.
Btdubs, the singer is Eivør Pálsdóttir.
Reblogging again for the haunting wizard lyrics
shoutout to the faroe island for being the only real viking island left
So (according to the concept art book) as the Fellowship travels deeper into Middle Earth, the places they pass through become inspired by progressively older periods of history. The farther along you are in the story, the more ancient the design influences
We begin in The Shire: which feels so familiar because, with its tea-kettles and cozy fireplaces, it’s inspired by the relatively recent era of rural England in the 1800s
But when we leave Hobbiton, we also leave that familiar 1800s-England aesthetic behind and start going farther back in time.
Bree is based on late 1600s English architecture
Rohan is even farther back, based on old anglo-saxon era architecture (400s-700s? ce)
Gondor is way back, and no longer the familiar English or Anglo-Saxon: its design comes from classical Greek and Roman architecture
And far far FAR back is Mordor. It’s a land of tents and huts: prehistoric, primitive, primeval. Cavemen times
And the heart of Mordor is a barren lifeless hellscape of volcanic rock…like a relic from the ages when the world was still being formed, and life didn’t yet exist
And then they finally reach Mount Doom, which one artist described as
“where the ring was made, which represents, in a sense, the moment of creation itself”
I’ve watched the movies a few times and love them so much so I can’t believe I actually missed this!